Catherine Sutera is the Assistant Ocean Science Educator at the National Museum of Natural History. Catherine has a Master’s in Natural Science from Louisiana State University where she did her thesis on the impact of informal science education. She also did her undergraduate work at LSU, majoring in biology, with a marine biology concentration.
Before coming to the Smithsonian, Catherine was a graduate assistant with the Louisiana Sea Grant office where she developed informal educational materials and helped organize a day-long ocean education event for K-8 students. She has also worked with the Audubon Zoo, the LSU Museum of Natural History, and the Bluebonnet Swamp Nature Center. Catherine has also participated in field research, spending a summer with the Marine Biological Laboratory in Plum Island Watershed in Massachusetts.
Staci DeSchryver, Jason Moeller, and Caitlin Fine, during their time in NOAA’s Teacher at Sea Program
David Johnson, Ichthyologist and Curator of Fishes, Smithsonian National Museum of Natural History
Joel Bader, National Coordinator for Aquatic Animal Health, USFWS
Sometimes, a tragic event can become a powerful teaching opportunity. The Deepwater Horizon oil spill in the Gulf of Mexico has the potential to capture students’ attention and stimulate discussion on topics like:...
With 1,400 named species of ribbon worms inhabiting every ecosystem on earth, seeking one out should be an easy proposition. But I quickly learned that it can be quite daunting when you’re looking for certain teeny-tiny...
Lynne Parenti, Curator and Research Scientist, Smithsonian National Museum of Natural History with Shao-i Wang,student at National Sun Yat-Sen University, Taiwan, preparing to collect fishes in Green Island, Taiwan
Robert Brock, Marine Biologist, National Oceanic and Atmospheric Administration (NOAA)
What does a bioluminescent creature that lives more than two miles below the surface of the ocean and a glow stick have in common? More than you think.
In a unique spin on an art technique called "light painting,"...
USFW Biologist Jason Goldberg, holding an Asian carp
Gyotaku is a traditional form of Japanese art that began over 100 years ago as a way for fishermen to keep a record of the fish they caught. They would apply sumi ink to one side of a freshly caught fish, then cover the...